| We found two people of Brown
Candover, two unknown l5th century folk, whose love for
one another was so pure that the artist who engraved
their portraits in brass set a lily between them as the
symbol of their affection, and engraved their portraits
on brass like lovers, arm-in-arm. He drew the man in a
full-sleeved coat, a purse hanging at his waist, and
strap shoes on his feet. The lady he gave a kennel
headdress and a long and graceful gown. A happy couple
they must have been in their Tudor home. They died in
1560.

St
Peters church at Brown Candover
The old church in which they laid them was pulled
down last century, but the new one has some of its
treasures. It has, besides this lovely brass of these
dear people, two treasures from other lost churches in
Hampshire. One is a fine set of altar rails carved with
vines and cherubs by an Italian craftsman; the other is a
big chair in the chancel, its back curiously carved with
figures of Adam and Eve, who stand on each side of the
tree of knowledge, down which the serpent glides on its
way to that fell deed which, we must believe, has brought
the world to this.
St Peter's Church Brown Candover
The present St Peter's church replaces the mediaeval
church which stood at the western end of Brown Candover.
This church was demolished in 1844 and St Peter's was
built the same year. The cost of building the church was
mainly borne by the Baring family who owned much land in
the neighbourhood and whose family seat was the Grange in
Northington.
The church was designed by Thomas Henry Wyatt, a member
of a prolific family of architects and he chose local
vernacular materials, using knapped flints in courses so
as to produce a neat regular pattern. The window tracery
and other ornamental details are of freestone. This is a
difficult combination of materials to maintain since the
weakening of the mortar through frost action causes the
flints eventually to fall out. This was the root of the
problem faced by the parish in 1979 and a major effort
was required to put this right for the next hundred years
and to prevent recurrence of a similar crisis by regular
maintenance.
The task confronting this small parish was daunting.
However, complete restoration was undertaken over a
number of years drawing on the generosity of local people,
numerous fund raising events and help from the Historic
Churches Preservation Fund.
Although the south aspect of the church is memorable in
relation to the village cricket ground and the landscape,
it is the interior which remains in the memory. It is
indeed large and open, and an unsympathetic visitor might
find it bare and empty. But if the visitor looks up he
will see a magnificent roof structure - which is one of
the great glories of the building, and if he looks
further he will find that all the furnishings, save the
Communion rails, are of the same date as the church, with
a unity of concept and forthright design which makes this
church a significant monument in the church-building of
the first half of the 19th century. The font, octagonal
and panelled, was given by the architect; he designed the
stained glass of the period depicting the Rest on the
Flight into Egypt, the Crucifixion and the Ascension. The
1840s were exciting years of ecclesiastical design and
the art and craft of stained glass making were being
revived.
The Communion rails which look Flemish are said to have
heen brought to St Peter's from Northington church, the
parish church of the Grange. They are so fine and of such
superlative quality that they would deserve a mention in
any context. On the west wall there is monumental brass
to a husband and wife dating from the reign of Henry VIII;
they stand in prayer, arm in arm, a flower growing behind
and between them.
The chandelier lights replaced late Victorian pendant
lamps and were designed by Francis Johnson of Bridlington
in Yorkshire. The organ was installed in 1985 with a
bequest from a past parishioner. The organ casing was
also designed by Francis Johnson. Note the organ pipes
with transfers depicting animals, birds and wild flowers.
During the restoration of the east end of the church, the
nave was reordered and enlarged by the reduction of the
choir stalls. The floor was raised and carpeted to enable
concerts, school nativity plays and recitals to take
place. At least one concert a year is held at St Peter's
to raise funds for charities.
REDEDICATION OF THE
CHURCH BELLS
Sunday 19th December 1999 - 4pm
The five bells of St Peters were cast in 1844 at the
Whitechapel Bell foundry. They were installed in an oak
frame in the new church belfry in 1845 for a total cost
of £l0-6s-0d and have had little maintenance since then.
Even though they are quite light (the tenor weighing just
over 6cwt.) they are still very cramped in the small
belfry. The bells were rung on a fairly regular basis
before the Second World War, and graffiti tells us of
ringing after 1945. However in the late 1970s when there
were structural problems with the building, they ceased
to be rung for several years, and by the time they were
inspected by the foundry in 1984 the bells and fittings
were in a poor state. Since then they have been rung for
church festivals, weddings, and occasional funerals. The
new steel frame and fittings now house the retuned bells
which will be rung for Sunday services and special
occasions.

The interior of St
Peters church Brown Candover

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